As I said before, both devices are very similar when it comes to hardware. The front panel is clearly laid out and features 10 plasma-style meters. If its feature set is what you're looking for, Ensemble is an ideal centrepiece for any Mac-based desktop or mobile studio, especially if you're using Logic Pro. Once successfully connected, you can set the Ensemble to be the default audio input and output for your Mac in either Audio MIDI Setup or the Sound System Preferences Panel. And one of the headphone jacks went, even though I don't use them and plug into a dedicated headphone amp system (they worked during installation). Two white LEDs to the right of the meters indicate whether the metering represents either the audio input or output of the interface, and it's also possible for the meters to be disabled if they should become distracting. Ask Apogee - Symphony I/O vs. Quartet and Duet Apogee Electronics. In terms of audio quality, you would expect the Ensemble to be of a high standard, and it certainly doesn't disappoint. Still, totally inaudible. If you're looking for some unquantifiable adjectives, I would say the converters maintain a good image, the bass frequencies sit well, and there's clarity in the high end. I create my tracks primarily ITB, then add bass/gtr/vox overdubs and will never be recording more than a stereo pair at a time. Although there are cheaper alternatives, the Ensemble certainly isn't overpriced, and I think Apogee have found a comfortable price point for the features and level of quality being provided. The mixing and routing aspects of Maestro were covered in the Symphony review, so it's worth referring to that article if you're unfamiliar with this functionality. IMO, well worth it. All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. Symphony 32 PCI is not supported with Symphony Release 4.2 or Mac OS Lion (10.7). The mic preamps are equally impressive. It's about a thousand bucks more for a rosetta200/symphony combo plus a pre, over the ensemble. Eine komplette Zusammenstellung aller Features findest Du indes im Infokasten. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's … I do covet the Ensemble's preamps and integration with Logic, but I don't want to become an unwitting participant in what appears to be an extended beta test. Dual G5 2 ghz. The Ensemble goes into standby mode when it's connected to a power source, and, perhaps unsurprisingly, pressing the power button on the front panel powers up the unit for operation. Logic Pro includes an Apogee Control Panel where you can access and store the Ensemble's settings directly from your Logic Project.Photo: Mike CameronThe supplied Maestro software serves two purposes: firstly, to provide hardware mixing and routing capabilities so that hardware inputs can be routed directly to hardware outputs; and secondly, to allow you to access and configure all of the Ensemble's internal settings. Apogee Ensemble | Full Specifications: Sound Type: Stereo, Analog 3.5mm output: 8, Analogue RCA outputs: 0, Headphone output: yes, This makes it very easy to create headphone mixes without the need for any additional hardware. Obviously, this is physically impossible, so I contacted Apogee's technical support to see what was going on. How to Record Acoustic Guitar and Vocals at the Same Time Februar 17, 2016 - 1:02 pm; Hear More Goosebumps (Featuring Harrison Kipner) November 18, 2015 - 12:12 pm Apogee and Waves Offer up to 60% off Popular Waves Plugins November 3, 2015 - 12:33 pm If you have […] Can I reduce latency when using Dante Via and Cubase? In threads that I read, Max from Apogee said that they also tested on a dual 2.0ghz G5 (which is what i have) and that the latency figures were similar -- a little higher, I think i remember something in the 2.8 range as opposed to 1.6. Beginnen wir ausnahmsweise mal mit den Features für Gitarristen. For example, they've released a firmware update that allows the Ensemble to work as a stand-alone converter when not attached to a computer. Hey all, About to pull the trigger on either the Apollo x8 or the Apogee Symphony Mk2 and wondering if anyone has heard side by side comparisons or has any info on the differences between the convertor quality of the two interfaces seeing as the new Apollo line up have improved convertors. I have a feeling that the low latency performance specs with Symphony and a Mac Pro are mostly due to the Mac Pro, and that a Symphony is needed IF you are recording many multiple tracks at once (as in an orchestra session). A status LED on the front of the Ensemble lights up in blue if the device is successfully connected to your computer, or green if it's working in stand-alone mode without a computer connection. Apogee’s Ensemble (Resolution V6.3). Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Technically, the Ensemble can work at sample rates of up to 192kHz (and even offers hardware sample-rate conversion), but only the analogue and coaxial I/O are supported once you work with rates above 96kHz. Pressing and holding the output encoder for a few moments will mute the Main and headphone outputs, and the LED to represent whichever output was selected will start flashing to indicate the mute status. I think this will become evident after the new year and these systems are more prevalent. Apogee Software Download Links Current Products macOS/iOS Symphony Desktop | macOS Installers Duet | macOS/iOS Installers Quartet | macOS/iOS Installers ONE macOS/iOS Installers Symphony I/O Mk II | macOS Installers Ensemble | macOS Installers Element Series | macOS Installers Please note HypeMiC, MiC+, Jam+, ClipMic digital do not require software for operation. Current Price & More Info https://amzn.to/2taMLVF Apogee Ensemble Thunderbolt 2 - Is One Of The Best Audio Interface Of 2020! Logic Pro includes an Apogee Control Panel where you can access and store the Ensemble's settings directly from your Logic Project. It has made my decision all the easier. This changed at the 2006 NAMM show, when Apogee announced Symphony, a PCI-based system for handling a large amount of I/O with low latency via the company's AD16X, DA16X and Rosetta-series converters, and Ensemble, Apogee's entry into the Firewire audio interface market. Therefore, the advantage of stepping up to Symphony will be 1) the i/o throughput capabilities even at high sample rates 2) the higher quality AD/DA, and 3) Simply, the ability to have connected 96 channels of conversion, reliably, on a native system. I think this will become evident after the new year and these systems are more prevalent. It's hard to believe that it's been over two years since Apogee first announced their new line of products aimed at desktop musicians and audio engineers. Apogee's helpful manual shows the Ensemble being connected to a Mac prior to being powered up, although it doesn't seem to explicitly warn against doing this the other way around, which is what I would normally do, as I'd leave the Ensemble in stand-alone mode when not connected. Also featured on the front panel are two rotary encoders, one for controlling input levels and the other for output, and each show level via a ring of bright white LEDs. You've narrowed down the pros and cons pretty good, and now you have to decide what you want to spend. The second port is handy if you want to daisy chain other Firewire devices. I would like to hear from anyone that owns either of these interfaces and have used it not only to record but to also mix out of. The Fireface 800 is slightly cheaper, but offers 10 analogue inputs and outputs, along with a second ADAT input and output, while the Orpheus is basically Prism's answer to the Ensemble, but with a price tag equivalent to more than the costs of two Ensembles. There's DSP on the card that deals with passing audio, sorry, maybe we shouldn't use the term DSP, I don't know. The output encoder sets the level for the main output, and a really nice touch is that the Ensemble's software (see the 'Maestro' box) lets you configure whether the Main output is stereo, 5.1, or 7.1. PASSENDE NEWS. This means that you can easily recall whatever mic-pre settings you had for a given Project, by simply clicking the 'Recall Setup from Project' button in the Control Panel once you've loaded up a previous Project. Each preamp has a gain control, and a particularly useful feature is the ability to assign each preamp to one of two groups, enabling gain adjustments to be linked between preamps assigned to the same group. Do Apogee’s Thunderbolt products (Element 24, Element 46, Element 88, Ensemble Thunderbolt, Symphony I/O MkII Thunderbolt, and Symphony 64 Thunderbridge) work with the 2015 and 2016 12″ MacBook? S/MUX mode is supported for ADAT operation with the TOSlink connector, which can provide four ins and four outs at 88.2/96kHz. Question: Q: Apogee Ensemble -vs- Apogee Rosetta (200 or 800) I am in the market to purchase one of these interfaces. Otherwise I wouldn't be going this route. Apogee Symphony Desktop vs UAD Apollo Twin X Specifications. For digital connectivity the Ensemble has input and output TOSlink optical connectors for either ADAT or S/PDIF input and output, in addition to regular coaxial S/PDIF, and there are also word-clock BNC connectors, along with a push switch so that the Ensemble can optionally self-terminate an incoming word-clock signal. They only have a USB-C port. However, this isn't a big deal, since most native audio applications, such as Logic Pro 8 and Cubase/Nuendo 4.1, are now able to support this style of routing (where audio buses can be used as the inputs to audio tracks) without hardware assistance. Maestro features full Ensemble functionality control, multiple low-latency mixers, hardware control panels and an input/output routing matrix compatible with Rosetta 800, Rosetta 200, AD-16X and DA-16X. What's especially neat about the headphone outputs is that they're completely independent, both in terms of level and in terms of which pair of the Ensemble's outputs they are assigned. Monster Studio Pro 1000 cable pretty much in and out of everything. Legacy Apogee interfaces donʼt include Loop clock functionality (as found on Symphony I/O). Up to 32 buses can be created per Symphony card, and these allow the transport of audio between Core Audio applications, or even within applications. Not compatible with Windows, which could frustrate Boot Camp users, or indeed PC users. The Maestro Control window allows you to configure all aspects of the Ensemble's hardware setup, and this is where you have full control over the built-in preamps. How low can you set your buffers with a good dose of plug-in, VIs, etc.? The new drivers for symphony really bump it up nicely. While this is functionally no different to using Maestro in conjunction with any audio application, the neat thing is that the settings for the Apogee Control Panel in Logic are stored with your Project. All four inputs have both XLR and high-Z (high impedance) TRS connectors, although the high-Z inputs for the first two channels are usefully located on the front of the Ensemble, which makes room for the additional send and return insert TRS connectors Apogee have provided for the first two channels on the back. For stereo, the output encoder controls the levels of the first two analogue outputs, whereas in 5.1 or 7.1 mode the encoder sets the level of either outputs 1-6 or 1-8 respectively. On the Ensemble Thunderbolt and Symphony I/O MkII it is much more important to have Thunderbolt 2, because those units are passing far more channels, up to 64 channels with two Symphony I/O MkII units in multi-unit mode. Though no stranger to the audiophile community, Apogee is one of the first pro-audio manufacturers to incorporate it into an interface and, in addition to Symphony I/O, it is utilized in Duet 2, Duet for iPad & Mac, Ensemble and Quartet interfaces. Some people might find the selection behaviour more useful (if they use headphones), but I wish Apogee would provide a quick mute option for those who might prefer it. The status LED also has the potential to illuminate in red if you're really unlucky, and this can happen if you plug the Ensemble into your computer and a successful connection can't be established. A version with onboard DSP effects is also available for roughly the same money. Symphony I/O Mk II Thunderbolt. The 1U enclosure is about the same size as an AD16X or DA16X converter, and although this is a really minor point, I wish Apogee had made the rack ears removable (as with other interfaces such as the RME Fireface 800 or Prism Orpheus). Apogee ensemble vs. symphony Hi guys and gals, I have been trying to wrap my head around all of this and I am getting ready to update my studio on Friday that's 12-15-06 and I am really not sure of what I … Instead, the Mobile features an XLR4 port so that it can easily be connected to a DC power source, and is conveniently supplied with an external AC to DC power supply having a regular IEC connection for when you're not in the field. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. The views expressed are those of the contributors and not necessarily those of the publishers. I think that reference above was made before the new high performance drivers were available. At first glance the Symphony seems phenomenal (As I have always HATED latency and DREAM of tracking through plug-ins without stutters, clicks, pops, etc.) I thought sound quality they would be the same. Output settings such as speaker set selection, mute, dim, sum to mono Complete input/output control with Apogee Control software Works with Pro Tools, Logic, … This works the same way as it does with Apogee’s other interfaces (One, Duet, Quartet, Ensemble and Symphony I/O), where an Audio Devices row is added to the mixer’s channel strips — this is also available via an Inspector’s channel strip. Please correct me if I'm wrong -- Ensemble/Mac Pro owners please speak up. On March 12, the LA Philharmonic performed the first of four movements composed by Felix Brenner using Apogee Electronics’ Ensemble FireWire interface. Now you have me nervous :-). I am aware that the conversion quality is supposed to have better numbers in the Symphony. From what I understand Symphony does this. Apogee's Director of Technical Services, Roger Robindoré, replied that "Apogee and Apple are aware of the issue, and have been working together to resolve it.". The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Unlike those found in the Ensemble Thunderbolt and other lowlier Apogee interfaces, the Symphony I/O’s preamps apparently use fully differential … For example, it’s possible to Pressing and holding the encoder again will release the mute. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's settings within the application. To get started, simply install the Ensemble's software — although, as always, it's probably a good idea to make sure you download the latest version from Apogee's web site, rather than using any supplied versions. A typical use-case: You have 2 Symphony I/Os connected to one Mac and both are showing up in Apogee Maestro. So I contacted Guitar Center concerning acquiring the Ensemble or the Duet. A 'line out' mode is also available, which effectively disables the main output volume functionality and makes the eight analogue outputs behave as independent line outputs. All rights reserved. ? I was told that the Ensemble is heads and shoulders above the Duet. https://www.gearslutz.com/board/showpost....7&postcount=50. High-end digital converter manufacturers Apogee are Apple's audio partner of choice, and their latest Firewire interface is aimed squarely at Mac users with a taste for quality. The 2015 and 2016 12″ MacBook, shown here, do not include a Thunderbolt port. The Symphony MkII’s preamp controls as they appear in Logic Pro X. The competition in the Firewire audio interface market is fierce these days, no matter what your budget, and the most obvious competition for the Ensemble is perhaps RME's Fireface 800, Metric Halo's Mobile I/O and Prism's Orpheus. Get the Symphony/Rosetta 800 and be done with it. The concert took place at the Walt Disney Concert Hall in Los Angeles. An update to what I finally ended up with.... Maybe someone can help me out related to this Ensemble vs Symphony deal. There is no internal fan, so Ensemble is dead quiet, with only a tiny "click" when switching inputs. You can then plug the Ensemble into your Mac via one of the two Firewire ports found on the back panel. Question: Q: Apogee Ensemble vs Apogee Duet. There are also phase-invert and 48v phantom power toggles, and you can also set whether to disable a preamp and use line level for an input instead. Each input and output level can be set to use a +4 or -10dB line-level signal (instead of a preamp on the first four inputs) and Apogee also provide SoftLimit, an analogue limiter that allows an extra 4dB of headroom, which can be enabled on any of the eight analogue inputs. Good-quality audio converters and preamps, as you would expect. Austrian Audio OC818 Dual Set Plus microphones. I found that having a kernel panic when connecting the Ensemble was not a completely uncommon occurrence with my MacBook Pro running Mac OS 10.5.2, although I admittedly don't restart the computer that often and usually have quite a number of applications open. A feature unique to Symphony is the ability to create virtual buses (VBus) within the architecture. ... Apogee DUET 2 Vs Apogee Rosetta 800 + API 3124 with Beyer M160 Ribbon Mic - Duration: ... Apogee Ensemble … The rear panel sports sockets for the Ensemble's eight analogue inputs and outputs, along with connections for ADAT and S/PDIF, word clock and Firewire.Photo: Mike CameronSpeaking of mobile usage, while the Ensemble has a built-in power supply with a standard IEC connection, last October Apogee introduced the Ensemble Mobile, which is functionally identical to the regular Ensemble in all respects, except that it lacks the built-in AC power supply. In this video, I compare my top 2-4 channel audio interface picks: the Apollo Twin & the Apogee Duet 2. The first eight of these can show either the level of the analogue inputs or outputs, while the last two are labelled D1 and D2, and show the presence of signal in either the coaxial or optical digital I/O respectively. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. I know it wasn't *the same*, but I know the latency was still quite low and quite impressive. If you need pres on a budget, get something like the Mackie onyx (the 8pre rackmount one) or something equivalent like the presonus digimax fs. Apogee Symphony Desktop: Finally..a Pro iOS interface? When you adjust the volume using the Mac keyboard or the menu bar extra icon, you're then actually adjusting the Main volume on the Ensemble, and the Ensemble's output-level LED ring on the main output stays in sync with your Mac. Q. I’ve been using the Symphony I/O Mk II for several weeks now and it sounds stunning. Sonic Differences: Apollo 8 TB VS Apogee Symphony MK2 I am trying to get a feel for the discernable audio differences from any folks who have used both. Ensemble Thunderbolt™ is the best sounding all-in-one audio recording interface for Mac. I'd say it all comes down to cash at this point, mon ami. Built-in monitoring capabilities that are surround capable. 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